Thursday, September 15, 2016

Why you should sing the "Stabat Mater" today

"Stabat Mater" hymn is based upon the "Dolorosa" poem written by Blessed Jacomo da Todi which depicts the suffering of Mary, Jesus Christ's mother, during his crucifixion. Giovanni Battista Pergolesi was given a commission, to compose "Stabat Mater" in 1734, but was gravely ill at the time, and completed it just before he died at the age of 26 . Jean-Jacques Rousseau wrote: "The first movement of the Stabat Mater is the most perfect and most moving that has ever issued from the pen of any composer."
Stabat Mater Dolorosa by Perglosi – written by Blessed Jacomo Benedetti of Todi, Italy(Feast Day – December 22)

Stabat mater dolorosa
juxta Crucem lacrimosa,
dum pendebat Filius.

At the Cross her station keeping,
stood the mournful Mother weeping,
close to her son to the last.

About the Composer . . .

Blessed Jacomo da Todi, or James, was born a noble member of the Benedetti family in the northern Italian city of Todi. He became a successful lawyer and married a pious, generous lady named Vanna.

His young wife took it upon herself to do penance for the worldly excesses of her husband. One day Vanna, at the insistence of Jacomo, attended a public tournament. She was sitting in the stands with the other noble ladies when the stands collapsed. Vanna was killed. Her shaken husband was even more disturbed when he realized that the penitential girdle she wore was for his sinfulness. On the spot, he vowed to radically change his life.

He divided his possessions among the poor and entered the Secular Franciscan Order (once known as the Third Order). Often dressed in penitential rags, he was mocked as a fool and called Jacopone, or "Crazy Jim," by his former associates. The name became dear to him.

After 10 years of such humiliation, Jacopone asked to be a member of the Order of Friars Minor(First Order). Because of his reputation, his request was initially refused. He composed a beautiful poem on the vanities of the world, an act that eventually led to his admission into the Order in 1278. He continued to lead a life of strict penance, declining to be ordained a priest. Meanwhile he was writing popular hymns in the vernacular.

Jacopone suddenly found himself a leader in a disturbing religious movement among the Franciscans. The Spirituals, as they were called, wanted a return to the strict poverty of Francis. They had on their side two cardinals of the Church and Pope Celestine V. These two cardinals, though, opposed Celestine’s successor, Boniface VIII. At the age of 68, Jacopone was excommunicated and imprisoned. Although he acknowledged his mistake, Jacopone was not absolved and released until Benedict XI became pope five years later. He had accepted his imprisonment as penance. He spent the final three years of his life more spiritual than ever, weeping "because Love is not loved." During this time he wrote the famous Latin hymn, Stabat Mater.

On Christmas Eve in 1306 Jacopone felt that his end was near. He was in a convent of the Poor Clares with his friend, Blessed John of La Verna. Like Francis, Jacopone welcomed "Sister Death" with one of his favorite songs. It is said that he finished the song and died as the priest intoned the Gloria from the midnight Mass at Christmas. From the time of his death, Brother Jacopone has been venerated as a saint.


Comment: 
“Crazy Jim,” his contemporaries called Jacopone. We might well echo their taunt, for what else can you say about a man who broke into song in the midst of all his troubles? We still sing Jacopone’s saddest song, the Stabat Mater, but we Christians claim another song as our own, even when the daily headlines resound with discordant notes. Jacopone’s whole life rang our song out: “Alleluia!” May he inspire us to keep singing.

Stabat Mater by Pergelosi


Stabat Mater Dolorosa by Pergelosi



Stabat mater dolorosa
juxta Crucem lacrimosa,
dum pendebat Filius.
Cuius animam gementem,
contristatam et dolentem
pertransivit gladius.
O quam tristis et afflicta
fuit illa benedicta,
mater Unigeniti!
Quae mœrebat et dolebat,
pia Mater, dum videbat
nati pœnas inclyti.
Quis est homo qui non fleret,
matrem Christi si videret
in tanto supplicio?
Quis non posset contristari
Christi Matrem contemplari
dolentem cum Filio?
Pro peccatis suæ gentis
vidit Iesum in tormentis,
et flagellis subditum.
Vidit suum dulcem Natum
moriendo desolatum,
dum emisit spiritum.
Eia, Mater, fons amoris
me sentire vim doloris
fac, ut tecum lugeam.
Fac, ut ardeat cor meum
in amando Christum Deum
ut sibi complaceam.
Sancta Mater, istud agas,
crucifixi fige plagas
cordi meo valide.
Tui Nati vulnerati,
tam dignati pro me pati,
pœnas mecum divide.
Fac me tecum pie flere,
crucifixo condolere,
donec ego vixero.
Juxta Crucem tecum stare,
et me tibi sociare
in planctu desidero.
Virgo virginum præclara,
mihi iam non sis amara,
fac me tecum plangere.
Fac, ut portem Christi mortem,
passionis fac consortem,
et plagas recolere.
Fac me plagis vulnerari,
fac me Cruce inebriari,
et cruore Filii.
Flammis ne urar succensus,
per te, Virgo, sim defensus
in die iudicii.
Christe, cum sit hinc exire,
da per Matrem me venire
ad palmam victoriæ.
Quando corpus morietur,
fac, ut animæ donetur
paradisi gloria. Amen.
At the Cross her station keeping,
stood the mournful Mother weeping,
close to her Son to the last.
Through her heart, His sorrow sharing,
all His bitter anguish bearing,
now at length the sword has passed.
O how sad and sore distressed
was that Mother, highly blest,
of the sole-begotten One.
Christ above in torment hangs,
she beneath beholds the pangs
of her dying glorious Son.
Is there one who would not weep,
whelmed in miseries so deep,
Christ's dear Mother to behold?
Can the human heart refrain
from partaking in her pain,
in that Mother's pain untold?
For the sins of His own nation,
She saw Jesus wracked with torment,
All with scourges rent:
She beheld her tender Child,
Saw Him hang in desolation,
Till His spirit forth He sent.
O thou Mother! fount of love!
Touch my spirit from above,
make my heart with thine accord:
Make me feel as thou hast felt;
make my soul to glow and melt
with the love of Christ my Lord.
Holy Mother! pierce me through,
in my heart each wound renew
of my Savior crucified:
Let me share with thee His pain,
who for all my sins was slain,
who for me in torments died.
Let me mingle tears with thee,
mourning Him who mourned for me,
all the days that I may live:
By the Cross with thee to stay,
there with thee to weep and pray,
is all I ask of thee to give.
Virgin of all virgins blest!,
Listen to my fond request:
let me share thy grief divine;
Let me, to my latest breath,
in my body bear the death
of that dying Son of thine.
Wounded with His every wound,
steep my soul till it hath swooned,
in His very Blood away;
Be to me, O Virgin, nigh,
lest in flames I burn and die,
in His awful Judgment Day.
Christ, when Thou shalt call me hence,
be Thy Mother my defense,
be Thy Cross my victory;
While my body here decays,
may my soul Thy goodness praise,
Safe in Paradise with Thee.
Translation by Edward Caswall
Lyra Catholica (1849)






Song of the Day

Stabat Mater

Stabat Mater – Gregorian Chant


STABAT MATER
At the cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.

Through her heart, his sorrow sharing,
All his bitter anguish bearing,
Now at length the sward had passed.




Stabat Mater

Interesting pictures . . .



Stabat mater dolorosa
juxta Crucem lacrimosa,
dum pendebat Filius.
Cuius animam gementem,
contristatam et dolentem
pertransivit gladius.
O quam tristis et afflicta
fuit illa benedicta,
mater Unigeniti!
Quae mœrebat et dolebat,
pia Mater, dum videbat
nati pœnas inclyti.
Quis est homo qui non fleret,
matrem Christi si videret
in tanto supplicio?
Quis non posset contristari
Christi Matrem contemplari
dolentem cum Filio?
Pro peccatis suæ gentis
vidit Iesum in tormentis,
et flagellis subditum.
Vidit suum dulcem Natum
moriendo desolatum,
dum emisit spiritum.
Eia, Mater, fons amoris
me sentire vim doloris
fac, ut tecum lugeam.
Fac, ut ardeat cor meum
in amando Christum Deum
ut sibi complaceam.
Sancta Mater, istud agas,
crucifixi fige plagas
cordi meo valide.
Tui Nati vulnerati,
tam dignati pro me pati,
pœnas mecum divide.
Fac me tecum pie flere,
crucifixo condolere,
donec ego vixero.
Juxta Crucem tecum stare,
et me tibi sociare
in planctu desidero.
Virgo virginum præclara,
mihi iam non sis amara,
fac me tecum plangere.
Fac, ut portem Christi mortem,
passionis fac consortem,
et plagas recolere.
Fac me plagis vulnerari,
fac me Cruce inebriari,
et cruore Filii.
Flammis ne urar succensus,
per te, Virgo, sim defensus
in die iudicii.
Christe, cum sit hinc exire,
da per Matrem me venire
ad palmam victoriæ.
Quando corpus morietur,
fac, ut animæ donetur
paradisi gloria. Amen.
At the Cross her station keeping,
stood the mournful Mother weeping,
close to her Son to the last.
Through her heart, His sorrow sharing,
all His bitter anguish bearing,
now at length the sword has passed.
O how sad and sore distressed
was that Mother, highly blest,
of the sole-begotten One.
Christ above in torment hangs,
she beneath beholds the pangs
of her dying glorious Son.
Is there one who would not weep,
whelmed in miseries so deep,
Christ's dear Mother to behold?
Can the human heart refrain
from partaking in her pain,
in that Mother's pain untold?
For the sins of His own nation,
She saw Jesus wracked with torment,
All with scourges rent:
She beheld her tender Child,
Saw Him hang in desolation,
Till His spirit forth He sent.
O thou Mother! fount of love!
Touch my spirit from above,
make my heart with thine accord:
Make me feel as thou hast felt;
make my soul to glow and melt
with the love of Christ my Lord.
Holy Mother! pierce me through,
in my heart each wound renew
of my Savior crucified:
Let me share with thee His pain,
who for all my sins was slain,
who for me in torments died.
Let me mingle tears with thee,
mourning Him who mourned for me,
all the days that I may live:
By the Cross with thee to stay,
there with thee to weep and pray,
is all I ask of thee to give.
Virgin of all virgins blest!,
Listen to my fond request:
let me share thy grief divine;
Let me, to my latest breath,
in my body bear the death
of that dying Son of thine.
Wounded with His every wound,
steep my soul till it hath swooned,
in His very Blood away;
Be to me, O Virgin, nigh,
lest in flames I burn and die,
in His awful Judgment Day.
Christ, when Thou shalt call me hence,
be Thy Mother my defense,
be Thy Cross my victory;
While my body here decays,
may my soul Thy goodness praise,
Safe in Paradise with Thee.
Translation by Edward Caswall
Lyra Catholica (1849)

Stabat Mater

Music videos to watch today . . .

Stabat Mater by Vivaldi (with lots of art work):

Stabat Mater by Mozart (from the movie “Amadeus”):

Stabat Mater by the Women’s Gregorian Choir of Paris (with scenes from the movie “Passion of the Christ”):

Stabat Mater Dolorosa, often referred to as Stabat Mater, is a 13th-century Catholic hymn to Mary, variously attributed to the Franciscan Jacopone da Todi and to Innocent III. It is about the Sorrows of Mary.

The title of the sorrowful hymn is an incipit of the first line, Stabat mater dolorosa ("The sorrowful mother stood"). The Stabat Mater hymn, one of the most powerful and immediate of extant medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion. It is sung at the liturgy on the memorial of Our Lady of Sorrows.

The Stabat Mater has been set to music by many composers, with the most famous settings being those by Palestrina, Pergolesi, Alessandro Scarlatti and Domenico Scarlatti, Vivaldi, Haydn, Rossini, Dvořák, Karol Szymanowski,Poulenc and Arvo Pärt.

At the Cross her station keeping,
stood the mournful Mother weeping,
close to her Son to the last.
Through her heart, His sorrow sharing,
all His bitter anguish bearing,
now at length the sword has passed.
O how sad and sore distressed
was that Mother, highly blest,
of the sole-begotten One.
Christ above in torment hangs,
she beneath beholds the pangs
of her dying glorious Son.
Is there one who would not weep,
whelmed in miseries so deep,
Christ's dear Mother to behold?
Can the human heart refrain
from partaking in her pain,
in that Mother's pain untold?
For the sins of His own nation,
She saw Jesus wracked with torment,
All with scourges rent:
She beheld her tender Child,
Saw Him hang in desolation,
Till His spirit forth He sent.
O thou Mother! fount of love!
Touch my spirit from above,
make my heart with thine accord:
Make me feel as thou hast felt;
make my soul to glow and melt
with the love of Christ my Lord.
Holy Mother! pierce me through,
in my heart each wound renew
of my Savior crucified:
Let me share with thee His pain,
who for all my sins was slain,
who for me in torments died.
Let me mingle tears with thee,
mourning Him who mourned for me,
all the days that I may live:
By the Cross with thee to stay,
there with thee to weep and pray,
is all I ask of thee to give.
Virgin of all virgins blest!,
Listen to my fond request:
let me share thy grief divine;
Let me, to my latest breath,
in my body bear the death
of that dying Son of thine.
Wounded with His every wound,
steep my soul till it hath swooned,
in His very Blood away;
Be to me, O Virgin, nigh,
lest in flames I burn and die,
in His awful Judgment Day.
Christ, when Thou shalt call me hence,
be Thy Mother my defense,
be Thy Cross my victory;
While my body here decays,
may my soul Thy goodness praise,
Safe in Paradise with Thee.
Translation by Edward Caswall


I'm Sorrowful Over Our Lost Traditions

Here’s another tradition that we Roman Catholics seem to have lost . . .

From the 3rd century, Eastern Fathers reflected on the sword that Simeon prophesied would pierce Mary’s soul.

In the early 12th century, Rupert of Deutz, a German Benedictine, linked Mary’s suffering to labor pains.

In the 13th century, seven cloth merchants left Florence to live a life of prayer and penance.  The Blessed Mother appeared to them and told them to be her servants and to wear a habit of dark color to recall her suffering at the foot of the Cross.  The order became known as the Order of Servants of Mary or Servites.  Those who follow this order wear a black scapular listing the seven sorrows of Mary and recite the Servite Rosary.  In later centuries, this order also promoted the Via Matris or Way of the Mother as a counterpart to the Stations of the Cross.

Also in the 13th century, a Franciscan friar composed the hymn “Stabat Mater” which begins “At the Cross her station keeping, stood the mournful Mother weeping, close to Jesus to the last.”   This hymn became popular in the late Middle Ages and during the Renaissance and became part of the Liturgy of the Hours and an optional sequence before the Gospel during Mass.  Major composers have written their own versions of this hymn with the work by Giovanni Battista Pergolesi being the most popular.   Here is an excerpt:  http://www.youtube.com/watch?v=_2zc0wTORSI

In 1814, Pope Pius VII added the Feast of Our Lady of Sorrows (7 Sorrows of Mary) to the Roman calendar on September 15.

In 1930s and 1940s, devotion to Our Lady of Sorrows became very popular.

In 1937, over 70,000 people came weekly to novena services at Our Lady of Sorrows Basilica in Chicago operated by the Servites.   This novena spread to 2,300 other parishes.

There is a Sorrowful Mother Shrine in Bellevue, Ohio operated by the Missionaries of the Precious Blood.


There is the National Sanctuary of Our Sorrowful Mother in Portland, Oregon operated by the Servites.

Song of the Day: Stabat Mater

Feast of Our Lady of Sorrows (formerly The 7 Sorrows of Mary)

Music:  Stabat Mater
Video:  Scenes from “The Passion of the Christ”